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THE SHARING KNIFE: LEGACY, by Lois McMaster Bujold
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- Published on: 2007
- Binding: Hardcover
Most helpful customer reviews
0 of 0 people found the following review helpful.
Wonderfully imaginative fantasy set on a strangely believable world.
By New Kid
It has been a long time since I have read the Sharing Knife series, but I always enjoy Lois McMaster Bujold's imaginative and well-written fantasy books like these. (I'm not as fond of her Vorkosigan series, as I don't care for space opera.) She has created some of the most interesting fantasy worlds in recent times, and her characters are complex and believable. Forget about any description of her work you may have seen. These books are meant to read, and nothing less than reading one will give you a fair picture of what you are getting into with them.
4 of 4 people found the following review helpful.
Bujold books: a concentrated form of life
By C. Cleveland
I find myself unable to quarrel with Bujold's decisions on how many books her story will take to tell. I find the length and the contents of all of them perfect. I don't really read Bujold for the plots, although they are fiendishly suspensful, or the landscapes, which are so well drawn you can feel as well as see them. Instead, I experience any given Bujold novel as a whole, complete and sufficient, and indivisible into the standard parts, although the parts are present and moving with great precision. It's the characters who compel my attention--the imaginary physical, social, and political worlds they inhabit flow naturally from the circumstances Bujold has imagined for them. In The Sharing Knife, we are given a world in which a man can make fire flies dance for his beloved after they have both killed a monster who blights every form of life it can reach, and I find both scenes believable.
There is a post-apocalyptic feel about these novels. The Malices who threaten the fragile divided society portrayed in these books were once lords of the earth, and are reduced to mindless destruction as their only path to rebirth. The Lakewalkers spend their lives hunting malices to protect the farmers whom the Lakewalkers also condescend to. Both the Lakewalkers and the farmers have their own technologies and strong social structures, but they exist in a tenuous state of equilibrium, and considerable misunderstanding of each other. The Sharing Knife brings two strong individuals from each society together, and uses their union to test both social structures, as well as the individuals, fiercely. The story of Dag Redwing Hickory and Faun Bluefield is full of what I suspect is the best kind of adventure: discovery. Dag and Faun learn much about themselves, each other, their families, and the greater societies they represent in the course of these two novels. And at the end of Legacy, they are perfectly positioned to learn more, to explore more, and to begin the work of reconciliation that both societies need. I can imagine even greater works in the future of both characters, although I would prefer that Bujold imagined more of this story for me.
And when I write prose like the paragraph above, I feel I've constructed the answer to a study question for a great book. I hate study questions. The power of novels is not in the precise generalizations you can reduce them to, but in the particular moments of life your imagination experiences when you read them. The power of Bujold is in the way she finds for Faun Bluefield to make a good marriage string, and the terror Faun must endure to save Dag's life, and in Dag's constant appreciation of Faun's irrepressible self, and how he releases buried powers in himself to put shattered glass together again. That's why Bujold is a very superior novelist--she makes you think about very important things while suffering and triumphing with the most human of beings. Bujold teaches lessons which don't sink in until the moments of repose after the adventures subside. The worlds she creates are like life--horrible, wonderful, deeply frustrating, exquisite, and challenging, but concentrated into a few hundred pages of graceful prose.
2 of 2 people found the following review helpful.
Aren't Families Wonderful?
By S. Rychnovsky
Spoiler Alert:
I liked the second book in the series, but not more than the first book. It is interesting how families play out in this book and in the last book. I would argue that much of the two books are about family relationships, even though you clearly have romance and adventure elements also in the book. Dag's family doesn't have any idea who he is and they do not care. Mom and Dar know what he should be and know that he does not measure up. That is pretty much the end of their understanding of him and their interest in him. By comparison, Fawn's family is much more supportive, which is a scary thought. The whole kill-the-malice plot was interesting but sort of anti-climatic. I enjoyed it, but it really did not have that much to do with the story. The maker-malice groundsense trap was an interesting puzzle. Fawn had some insight, which was incomplete. The antagonistic Lakewalkers immediately jumped on this flaw and decided that she was just puppet for Dag and dismissed her contribution. This was just a bit too realistic, and really does set aside Bujold's writing from much of the fantasy wish-fulfillment literature.
The final council meeting was also a bit too realistic. I spend enough time in meetings to have no faith that they lead to just resolutions or evenhanded treatment. They can have those outcomes, but it is by no means guaranteed. Perhaps a deeply insightful (and secure) monarch is more likely to recognize true worth in a hero and reward it. There are certainly enough of those plots floating around.
The logical disconnect between the farmers and the Lakewalkers was clearly spelled out by the trip to Greenfield, the malice origin. The farmers just do not get it, and they cannot hear what the Lakewalkers are telling them. The Lakewalkers cannot be bothered to educate the farmers--it is a completely thankless task. Perhaps the further adventures of Dag and Fawn will lead to some middle ground. I am not sure how Bujold would put together such a story, but it is certainly possible. I will note that Fawn and Dag are missing one key element for further heroics: a sharing knife. I assume Dag would get to be a clever maker if he worked at it. It is interesting that Fawn has no groundsense and this does not appear likely to change. Dag can magic her just a bit, and Fawn is very clever and might become a groundsense theorist (those who cannot do teach), but she is not going to become gifted in groundsense in the foreseeable future. This limitation speaks to the integrity of the author. Bujold does not have Fawn find a magic stone or bond with a malice or eat some strange plant and come out with groundsense. If Bujold went that route, it would make the central conflict in the two stories disappear and the characters could live happily ever after. Bujold is more interested in the not so happily-ever-after endings.
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